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I don't think about those questions, as long as I'm good at it, no, as long as the others think I'm good at it. According to them, I can "bring out what is hidden" in people. "Conversational capturing", my methods have been traveled far and wide, keeping a conversation going with the model, somehow brings out the slightest muscle variations that would then go and touch the heart of millions. |
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Me? I don't feel it. I know it's gold when I see it, I push them towards what I want. Have it called guidance, manipulation, whatever you want. How my works have the societal impact and represent the status quo of the 21st century? Leave it to the critics. I'm just doing my work. |
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My method? It's actually quite simple, I exchange stories with the models, I capture every expression after they or I finish a sentence, whether it's them telling me or me telling them. Of course, my boring life can't have that many stories to share, part of the reasons why only I can use this method is that I recycle stories. Humans are such empathetic creatures, some combinations of words can always stir up emotions, not necessarily the same, and I don't necessarily need to know what it is, leave it to the psychologist, I'm just here to capture the ephemera when it appears. |
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Sadness? Happiness? Anger? Fear? Those are just labels made up by humans, why bother? My art takes directly from the translations of audio into words, the transitions of neurons as the brain comprehends, the moving muscles of the face. No labels, no definitions, no analysis, just pure cause and effect, captured. |